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Flawed Hero

The shock­ing sto­ry of the case against Aus­trali­a’s most high­ly dec­o­rat­ed sol­dier, Ben Roberts-Smith VC MG, and the defama­tion tri­al of the century.

With a Vic­to­ria Cross and Medal for Gal­lantry, Ben Roberts-Smith was the most high­ly dec­o­rat­ed Aus­tralian sol­dier, the best of the best. When he returned to civil­ian life, he became a poster boy for a nation hun­gry for war­rior heroes. He embod­ied the myth of the clas­sic Anzac, sev­en-foot-tall and bul­let­proof. But as his pub­lic rep­u­ta­tion con­tin­ued to grow, inside the army rumours were circulating.

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Crossing The Line

War is bru­tal. But there are lines that should nev­er be crossed. In mid-2017, whis­pers of exe­cu­tions, and cov­er-ups with­in Aus­trali­a’s most secre­tive and elite mil­i­tary unit, the SAS, reached Walk­ley Award-win­ning jour­nal­ist Nick McKen­zie. He and Chris Mas­ters began an inves­ti­ga­tion that would not only reveal shock­ing truths about Ben Roberts-Smith VC but plunge the reporters into the defama­tion tri­al of the century.

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The Aeneid

Flee­ing the ash­es of Troy, Aeneas, Achilles’ mighty foe in the Ili­ad, begins an incred­i­ble jour­ney to ful­fill his des­tiny as the founder of Rome. His voy­age will take him through stormy seas, entan­gle him in a trag­ic love affair, and lure him into the world of the dead itself — all the way tor­ment­ed by the venge­ful Juno, Queen of the Gods. Ulti­mate­ly, he reach­es the promised land of Italy where, after bloody bat­tles and with high hopes, he founds what will become the Roman empire.

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The Man In The High Castle

It is 1962 and the Sec­ond World War has been over for sev­en­teen years: peo­ple have now had a chance to adjust to the new order. But it’s not been easy. The Mediter­ranean has been drained to make farm­land, the pop­u­la­tion of Africa has vir­tu­al­ly been wiped out and Amer­i­ca has been divid­ed between the Nazis and the Japan­ese. In the neu­tral buffer zone that divides the two super­pow­ers lives the man in the high cas­tle, the author of an under­ground best­seller, a work of fic­tion that offers an alter­na­tive the­o­ry of world his­to­ry in which the Axis pow­ers did­n’t win the war. The nov­el is a ral­ly­ing cry for all those who dream of over­throw­ing the occu­piers. But could it be more than that?

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The Escape Artist

In April 1944 a teenag­er named Rudolf Vrba was plan­ning a dar­ing and unprece­dent­ed escape from Auschwitz. After hid­ing in a pile of tim­ber planks for three days while 3,000 SS men and their blood­hounds searched for him, Vrba and his fel­low escapee Fred Wet­zler would even­tu­al­ly cross Nazi-occu­pied Poland on foot, as pen­ni­less fugi­tives. Their mis­sion: to tell the world the truth of the Final Solu­tion. Vrba would pro­duce from mem­o­ry a breath­tak­ing report of more than thir­ty pages reveal­ing the true nature and scale of Auschwitz — a report that would find its way to Roo­sevelt, Churchill and the Pope, even­tu­al­ly sav­ing over 200,000 Jew­ish lives. A thrilling his­to­ry with enor­mous his­tor­i­cal impli­ca­tions, THE ESCAPE ARTIST is the extra­or­di­nary sto­ry of a com­plex man who would seek escape again and again: first from Auschwitz, then from his past, even from his own name. In telling his sto­ry, Jonathan Freed­land — the jour­nal­ist, broad­cast­er and acclaimed, mul­ti-mil­lion copy sell­ing author of the Sam Bourne nov­els — ensures that Rudolf Vrba’s hero­ic mis­sion will also escape oblivion.

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So Sad To Fall In Battle

The Bat­tle of Iwo Jima has been memo­ri­al­ized innu­mer­able times as the sub­ject of count­less books and motion pic­tures, most recent­ly Clint Eastwood’s films Flags of Our Fathers and Let­ters from Iwo Jima, and no wartime pho­to is more famous than Joe Rosenthal’s Pulitzer Prize-win­ning image of Marines rais­ing the flag on Mount Surib­achi. Yet most Amer­i­cans know only one side of this piv­otal and bloody bat­tle. First pub­lished in Japan to great acclaim, becom­ing a best­seller and a prize-win­ner, So Sad to Fall in Bat­tle shows us the strug­gle, through the eyes of Japan­ese com­man­der Tadamichi Kurib­ayashi, one of the most fas­ci­nat­ing and least-known fig­ures of World War II.

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Syria’s Secret Library

The extra­or­di­nary sto­ry of how the besieged Syr­i­an town of Daraya found hope and inspi­ra­tion in a secret under­ground library. Daraya lies on the fringe of Dam­as­cus, just south west of the Syr­i­an Cap­i­tal. Yet it lives in anoth­er world. Besieged by Syr­i­an gov­ern­ment forces since 2011, its peo­ple were deprived of food, bom­bard­ed by bombs and mis­siles, and shot at by snipers. Its build­ings lay in ruins; office build­ings, shops and fam­i­ly homes shat­tered by the con­stant shelling from gov­ern­ment forces. But deep beneath this scene of fright­en­ing dev­as­ta­tion lay a secret library. No signs marked its pres­ence. While the streets above echoed with rifle fire and shelling, the secret world below was a haven of peace and tran­quil­li­ty. Books, long rows of them, lined almost every wall. Bloat­ed vol­umes with grand leather cov­ers. Tat­tered old tomes with bare­ly read­able spines. Pock­et sized guides to Syr­i­an poet­ry. Reli­gious works with gaudy gold-let­ter­ing and no-non­sense ref­er­ence books, all arranged in well-ordered lines. But this pre­cious horde of books was not bought from pub­lish­ers, book ware­hous­es, or loaned by oth­er libraries. Many peo­ple had risked their lives to save books from the dev­as­ta­tion of war. Because to them, the secret library was a sym­bol of hope — of their deter­mi­na­tion to lead a mean­ing­ful exis­tence and to rebuild their frac­tured soci­ety. This is the sto­ry of an extra­or­di­nary place and the peo­ple who made it hap­pen. It is also a book about human resilience and val­ues. And through it all is thread­ed the very won­der­ful, uni­ver­sal love for books and the hope they can bring.

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